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Appreciating Indian Classical Music & Dance
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 Post subject: Raag Khamaj
PostPosted: Thu Oct 01, 2009 11:27 am 
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Can any one say about raag Khamaj with respect to HM. Its Aroh and Avaroh? What is the name of the equivalent raag in CM? Thank you


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 Post subject: Re: Raag Khamaj
PostPosted: Sat Oct 03, 2009 12:59 am 
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Raag KhammAj is the third "ThATh" (Hindustani equivalent of MeLakartA) of the Hindusthani System. It corresponds to the HarikAmbhOji mELam (28) of the KarNATIk system.

There is also a Hindustani rAga called "khamaj" which is placed under the above-mentioned KhammAj ThaTh. It is a SADava-sampURNA (six- seven) rAg with the scale:
sa ga ma pa dha ni Sa --- Sa ni dha pa ma ga ri sa .
Notes taken are: tIvra ri, tIvra ga, shuddha ma, tIvra dha amd kOmal ni.


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 Post subject: Re: Raag Khamaj
PostPosted: Sat Oct 03, 2009 12:50 pm 
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Thank you very much for the details of Khamaj Thatt in hindustani style; But I wanted to know the equivalent rAg in carnatic style of RAg Khamaj as what you have specified as audav sampoorna. Thank you


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 Post subject: Re: Raag Khamaj
PostPosted: Sat Oct 03, 2009 12:54 pm 
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Sorry I've written as audav smpoorna ; It should be shadav sampoorna; I want to know this rAg's equivalent in carnatic style; Thank you


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 Post subject: Re: Raag Khamaj
PostPosted: Sat Oct 03, 2009 2:21 pm 
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This is what Voll III of "Raga Nidhi" by B. Subba Rao says under "Khamaj":

In south, it is known as "khamas" or "khamach". It resembles Hindusthani "khamaj" very closely. It is a Janyam of Melam 28, Harikambhoji (ri gu ma dhi ni). Aroha/Avaroha
of Khamas are -- sa ma ga ma pa dha ni Sa --- Sa ni dha pa ma ga ri sa.
In Arohana, sometimes Kakali Ni is used. The examples given are:
Sitapate (Tyagaraja), Broceva (Mysore vasudevachariart).
In the Asmapurna school of Dikshitar, it is a sampurna sampurna raga with no
vakra sanvcharam. The example given is "enta ninne delpu".
The author incorrectly attributes it to Muthuswami Diskhitar. I guess it shoulkd be Subbarama Dikshitar

From these, I conclude that the Raga in question is the popular Khamas of Karnatik system.


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 Post subject: Re: Raag Khamaj
PostPosted: Sun Oct 04, 2009 2:25 pm 
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Thank you very much for the detailed answer


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 Post subject: Re: Raag Khamaj
PostPosted: Fri Jan 15, 2016 4:48 pm 
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Cloth Khammaj has a reasonable musical structure. It is a shadav-sampurna cloth because of the ommission of the Re in the arohana.


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 Post subject: Re: Raag Khamaj
PostPosted: Fri Apr 22, 2016 2:48 pm 
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Thanks you.
สมัคร gclub


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 Post subject: Re: Raag Khamaj
PostPosted: Fri Nov 25, 2016 8:29 am 
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thanks for sharing and post the right information


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 Post subject: Re: Raag Khamaj
PostPosted: Sun Dec 11, 2016 8:23 am 
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bedankt voor geweldige informatie Ik hou ook van je post, omdat deze informatie ook mij te helpen en voordeel heb ik nogmaals bedankt voor het delen van dit is echt geweldig
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 Post subject: Re: Raag Khamaj
PostPosted: Sat Dec 17, 2016 10:10 am 
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I stopped by to greet everyone. Then in winter Healthily with

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 Post subject: Re: Raag Khamaj
PostPosted: Thu Dec 22, 2016 8:34 am 
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It is a very good and interesting for that.gclub


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 Post subject: Re: Raag Khamaj
PostPosted: Wed Jan 11, 2017 3:05 pm 
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Sorry I've written as audav smpoorna ; It should be shadav sampoorna; I want to know this rAg's equivalent in carnatic style; Thank you




SBOBET


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 Post subject: Re: Raag Khamaj
PostPosted: Sat Jan 14, 2017 3:08 pm 
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Thank you for the lyrics. Please post for me the Arohanam and Avarohanam of the Rag:Bhagesri. I presume it is the janya of 22 mela Kharakarapriya with vakra swara. Please guide


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 Post subject: Re: Raag Khamaj
PostPosted: Mon Apr 24, 2017 2:43 pm 
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Kindly let me know if there are any standard techniques for learning to sing kalpana swaras for kritis. It is best to get initiated by a guru, but without one, how to start off with the rudiments of swara singing, atleast for simple ragas and kirtanas



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